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	<title>Comments on: Synecdoche, New York</title>
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	<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/</link>
	<description>Just another kitsch-ka-blogs weblog</description>
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		<title>By: Hugo &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-30307</link>
		<dc:creator>Hugo &#187; Movie Monster</dc:creator>
		<pubDate>Tue, 27 Dec 2011 01:53:55 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-30307</guid>
		<description>[...] Méliès, in one scene, avers; and then his life, in a movie, ends happily.) Usually, as in Synecdoche, New York, this is writ large. But Scorsese’s caméra stylo writes in invisible ink. It’s a kind of [...]</description>
		<content:encoded><![CDATA[<p>[...] Méliès, in one scene, avers; and then his life, in a movie, ends happily.) Usually, as in Synecdoche, New York, this is writ large. But Scorsese’s caméra stylo writes in invisible ink. It’s a kind of [...]</p>
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		<title>By: Certified Copy &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-14942</link>
		<dc:creator>Certified Copy &#187; Movie Monster</dc:creator>
		<pubDate>Thu, 14 Apr 2011 04:20:09 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-14942</guid>
		<description>[...] is nonchalantly hyperconscious, a rare and happy philter. Watching Certified Copy is like taking Charlie Kaufman with a chill pill; it’s more blunt than Marienbad, but also more obscure. Because the stars’ [...]</description>
		<content:encoded><![CDATA[<p>[...] is nonchalantly hyperconscious, a rare and happy philter. Watching Certified Copy is like taking Charlie Kaufman with a chill pill; it’s more blunt than Marienbad, but also more obscure. Because the stars’ [...]</p>
]]></content:encoded>
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		<title>By: Inception &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-14809</link>
		<dc:creator>Inception &#187; Movie Monster</dc:creator>
		<pubDate>Tue, 05 Apr 2011 21:15:23 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-14809</guid>
		<description>[...] away from being an “intellectual overload”—unless you’re prone to headaches. (A mess like Synecdoche, New York may have been more worthy of that mantle, and that’s precisely because it was [...]</description>
		<content:encoded><![CDATA[<p>[...] away from being an “intellectual overload”—unless you’re prone to headaches. (A mess like Synecdoche, New York may have been more worthy of that mantle, and that’s precisely because it was [...]</p>
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		<title>By: The Imaginarium of Doctor Parnassus &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-825</link>
		<dc:creator>The Imaginarium of Doctor Parnassus &#187; Movie Monster</dc:creator>
		<pubDate>Fri, 15 Jan 2010 06:22:20 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-825</guid>
		<description>[...] bears any enmity for the real world; it seems instinctive rather than a conscious rebellion. (In Synecdoche, New York, Charlie Kaufman seemed to betray a similar predilection, but rebuked himself for it.) Aside from [...]</description>
		<content:encoded><![CDATA[<p>[...] bears any enmity for the real world; it seems instinctive rather than a conscious rebellion. (In Synecdoche, New York, Charlie Kaufman seemed to betray a similar predilection, but rebuked himself for it.) Aside from [...]</p>
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		<title>By: Where the Wild Things Are &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-774</link>
		<dc:creator>Where the Wild Things Are &#187; Movie Monster</dc:creator>
		<pubDate>Thu, 22 Oct 2009 05:16:17 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-774</guid>
		<description>[...] the fantastic and the extreme” is a touch too close to banal here; his deadpan was key in his Charlie Kaufman collaborations (in his other two features, he rejoiced in Being John Malkovich and the throes of [...]</description>
		<content:encoded><![CDATA[<p>[...] the fantastic and the extreme” is a touch too close to banal here; his deadpan was key in his Charlie Kaufman collaborations (in his other two features, he rejoiced in Being John Malkovich and the throes of [...]</p>
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		<title>By: Cold Souls &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-770</link>
		<dc:creator>Cold Souls &#187; Movie Monster</dc:creator>
		<pubDate>Thu, 08 Oct 2009 16:18:38 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-770</guid>
		<description>[...] with a tricky tachycardia. Jumpy directors like Spike Jonze and Michel Gondry match his pulse. In Synecdoche, New York, however, writer-director Kaufman was victimized by his own volubility, and his ideas went kaboom. [...]</description>
		<content:encoded><![CDATA[<p>[...] with a tricky tachycardia. Jumpy directors like Spike Jonze and Michel Gondry match his pulse. In Synecdoche, New York, however, writer-director Kaufman was victimized by his own volubility, and his ideas went kaboom. [...]</p>
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		<title>By: The Critic’s Criticism of His Critics &#187; Movie Monster</title>
		<link>http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/comment-page-1/#comment-728</link>
		<dc:creator>The Critic’s Criticism of His Critics &#187; Movie Monster</dc:creator>
		<pubDate>Fri, 10 Jul 2009 07:24:32 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.kitschmag.com/movies/2008/11/17/synecdoche-new-york/#comment-728</guid>
		<description>[...] studio turd like The Hangover—but films such as There Will be Blood or The Wrestler or Synecdoche, New York or Tarsem’s short-lived The Fall were much more interesting than The Hangover, and thus, to me, [...]</description>
		<content:encoded><![CDATA[<p>[...] studio turd like The Hangover—but films such as There Will be Blood or The Wrestler or Synecdoche, New York or Tarsem’s short-lived The Fall were much more interesting than The Hangover, and thus, to me, [...]</p>
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